fender rhodes.
i swear if i had one i’d write a whole new record in two weeks tops, frsrsly.
i’ve heard from multiple sources that living in a different country or a wholly disparate location within the same really works in galvanizing one’s individual creativity. for me, this also applies with a change of instrument. and because it’s difficult to write a song on the bass or the drums—not to say something can’t be written out of rhythm—i’m limited to writing entirely on the guitar, condition existing that i don’t own a piano of any sort. but goodness do i miss playing those little percussionary triggers every time i must leave a session with any form of them. and the rhodes…why, it’s just my favorite. ahh. dreams.
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when i wake up and go, “yeah! i like to play that guitar, there. i like to sing. hey, i might even write a song toda—oh wait. i’m not david bazan. i can’t write good, honest songs like it’s nothing. darn it. i suppose i’ll go on a bike ride, then.” :P

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i have never been more proud of something in my life. i’m actually beginning to make the music i want to make and write the songs i want to sing. and michael kerley is there filming it and making it all look beautiful. enjoy. i hope you do. because i do. so much. this is the first of three. it’s called vows. i’m stoked.

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I’m immensely proud of this track and immensely proud of its inclusion in IVM’s new compilation. Indie Vision has supported me since I was a 16-year-old making mediocre Eps in my room, and their encouragement and promotion has played a poignant part in ushering me into wherever Sinai Vessel as a band and personal project is today. This is my favorite song I’ve ever written, hands down. It communicates everything I want to do as an artist and songwriter, and I can’t wait to share it with you. Go stream it!

(Passionate Hope Vol 1., will be available for free HERE on October 1st alongside some of my biggest influences—do yourself a favor and grab it.)

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